As Casey points out, if your image still lacks saturation, there is nothing wrong if you add another node and increase this setting even more.Īnother approach to deal with the flat Blackmagic footage is applying a dedicated BMDFilm to Rec.709 LUT in the first place, and doing the rest of the color adjustments manually afterward.

Pumping up the saturation thereafter will also help you to get a well-balanced image, plus that way it’s easier to see if there are any color casts or other inconsistencies in your footage. So, tweaking the highlights and shadows of the image is what Casey suggests as a starting point. Obviously, when shooting in BMDFilm4K and BMDFilm gammas, your footage tends to be way too flat and desaturated. To put things into perspective, seasoned colorist and indie filmmaker Casey Faris will take us through his top tips for color correcting and adding style to Blackmagic footage shot with BMDFilm4K and BMDFilm gammas while using a few simple techniques in DaVinci Resolve 12.5.Īpparently, there are multiple ways to tackle this aspect of the process such as doing all your primary color adjustments manually by using the Lift, Gamma, Gain along with Saturation controls in DaVinci Resolve 12.5 in the first place. Blackmagic Design has come a long way in the recent years with its professional cinema camera line, but still many filmmakers who’ve been using those cameras on a daily basis are wondering what is the best approach when it comes to color grading BMC footage for optimal results.

Blackmagic color grading